La casa 1+1=1 publicada en la revista: "En blanco". Catedra blanca de Valencia

La catedra Blanca de Valencia publica la revista "En Blanco" donde selecciona una serie de viviendas realizas en hormigón armado y donde se encuentra entre otras la casa 1+1=1.

Las viviendas que se incluyen en el número son:

Vivienda Unifamiliar en Los Peñascales, Torrelodones, Madrid, España; Iñaqui Carnicero.
 Bloques Normales; Raúl Castellanos Gómez, Débora Domingo Calabuig. 
Casa en el Jardín del Sol, Taraconte, Tenerife, España; Corona y P. Amaral Arquitectos. 
Casa JD, Mar Azul, Partido de Villa Gesell, Provincia de Buenos Aires, Argentina; BAK Arquitectos. 
Casa Paraty, Paraty, Río de Janeiro, Brasil; Studio MK27 - Marcio Kogan. 
Casa en Camino a Farellones, Santiago, Chile; Max Núñez B. y Bernardo Valdés E. 
Casa en Frontenex, Ginebra, Suiza; Charles Pictet Architecte FAS SIA. 
Casa en Estoril, Lisboa, Portugal; Jorge Mealha. 
Casa en Lumino, Suiza; Davide Macullo + Marco Strozzi. 
House O, Chiba, Japón; Sou Fujimoto. 
Atelier Katharina Grosse, Berlín, Alemania; Augustinundfrankarchitekten. 
Maison du Béton en Zwickau, Cainsdorf, Alemania; atelier st.
Vivienda Unifamiliar en Motril, Granada, España; Gijón Arquitectura.

Workshop de verano en el antiguo Palacio de Spalato, Split (Croacia)

SYMMETRIES: Conceptual reconsideration of the past and its projection into the future has been a dominant theme throughout the history of architecture. This could be considered to be especially relevant today as a counter-force upon the on-going fascination with the avang-garde in many architectural schools and also given the current cultural and economic crisis which encourages a critical revision of inherited methods and protocols. In this context, the idea of “symmetries” emerges as a powerful concept for revisiting old urban tissues, particularly those which rather than encapsulating the past have opted for a creative and dialectic relationship with it, as occurs very eloquently in the city of Split. The emergence of a new city inside old Diocletian’s Palace conserving its original structure for a different use may give way to tracing and documenting the different symmetries (or a-symmetries, or equivalences, or opposites...) between now and then as a platform of possibilities for the future of Split. Student will therefore explore these latent symmetries with a variety of architectural, artistic and observational tools.
This workshop is a joint-venture between Madrid’s Architecture School (ETSAM) and Split’s Architecture School (GAF).